Today, I read about Madlib releasing a series of beat/mix LPs this year. One every month or two depending on the format it seems. In any case, it reminded of Karl Blau's Kelp subscription series where he records every few months and sends out the release to all his current subscribers. Now granted Madlib's project isn't a subscription project per se but it nevertheless rekindled a little entrepreneurial impulse in the backwaters of my mind (perhaps first prompted by the McSweeney's subscription packages...).
Over the past few years, I've begun thinking that a subscription series would really be the best way of establishing a new label/artist these days. I mean, it would allow a more resilient community to develop around whatever's being produced whether its music or art. 7" series do this to a certain extent sure, but I wonder why artists are still so caught up on having (supposedly) really solid but sporadic releases. Why not establish subscription series so that they have an immediate communal and financial incentive to continually produce their work for a interested and responsive audience?
Ok, my guesses for why not: logistics, laziness/busy-ness, and maybe some misled fear of audience mistrust.
So here's my call out to Austin (and Athens too): subscription series, think about! whatever it is you make.
Series, Subscriptions, Etc.
* art, business, series, subscription, writing
Subscribe to:
Post Comments (Atom)
automatic defintion
"hunting magic is a general term for magical practices which have circulated since prehistoric times. such practices were and are used to insure the success of the hunt and involve drawing pictures of animals (seen by cave drawings), the worship of tribal totem, the use of the tribal egregore, and the great multi-notional concept of mana." -a.g.h. (source)
half-articulated memories and illusions, endless archiving for the 31st century. austin, tx.
half-articulated memories and illusions, endless archiving for the 31st century. austin, tx.
over share
friendlies
- beard's beer year
- contortionist jazz exotica
- kelsez
- owen's (pt. 3)
- owen's brain (pt. 2)
- owen's brain
- unfit times (nick h.)
- westillreadbooks (sarah, la)
- lessa's movement
- gilbot
- sam in equador
- domybooks (russell and allison)
- black fontanelle
- alex's ecuadorian forestry
- jvt in south korea
- 1990-1997.com (how to connect to the internet)
- 1990-1997 (TUMBLR)
- alex's photos
- abel (bay area, CS)
- you can call it what you want (alex)
- unseen worlds (tommy's excellent reissues)
- ben aquabotic
- jordan, minimal wave (nyc)
- ray mond fash un
- totally wreck
- jess williamson (photo)
- church of the friendly ghost
- new moon
- eric archer
- brian churchmania
- jim pierce
- museum of ephemerata
- drums underground (oguz)
- floatingworldcomics (portland, jason)
- undergoundcollector video (illinois)
- secret squirrel (athens ga)
- teenage souls (baltimore)
- charlie
- stephanie b. (art, austin)
- lillian
- lazy little things (hand made craft)
- weird weeds (music, austin)
- emily grenader (art, nyc)
- pertelote (hand made craft)
- maltrapillo (barcelona/bogota)
- joe mathlete (houston)
- the b.o.s.s. (houston)
familiars
contact tall[dot]reed[at]gmail[dot]com
No comments:
Post a Comment
speak some madness